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The Eyes Are the Best Part

Audiobook
1 of 1 copy available
1 of 1 copy available
Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a
female serial killer from a Korean-American perspective.
Ji-won's life tumbles into disarray in the wake of her Appa's extramarital affair and subsequent departure. Her
mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams,
horrifying... yet enticing.
In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the
same shape and shade as George's, who is Umma's obnoxious new boyfriend. George has already overstayed
his welcome in her family's claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian
waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of
Umma's fawning adoration. No, George doesn't deserve anything from her family. Ji-won will make sure of that.
For no matter how many victims accumulate around her campus or how many people she must deceive and
manipulate, Ji-won's hunger and her rage deserve to be sated.
A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim's The Eyes Are the Best
Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice
in horror that will leave readers mesmerized and craving more.
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    • Publisher's Weekly

      April 22, 2024
      In Kim’s provocative debut horror novel, Ji-won, a Korean American college student, wrestles with her psychological turmoil and the gruesome appetites it arouses. The title comes from a comment Ji-won’s mother makes that eating the eye of a fish is supposed to bring good luck. When Ji-won overcomes her revulsion and finally eats one, she develops an obsessive interest in the eyes of others—especially the blue eyes of George, her mother’s boorish new white boyfriend whom she and her younger sister loathe. Ji-won’s disturbed state of mind is understandable, given that she’s also grappling with her father’s abandonment of the family and with unwanted romantic advances from a college classmate—providing all the catalysts needed to transform her eye obsession into a grisly hunger. Kim’s antagonistic male characters all hail from jerk central casting and are easy targets for reader dislike. By contrast, her depiction of Ji-won’s fond but exasperated relationship with her mother and her sister, Ji-hyun, conveys authentic familial intimacy. Though the finale relies on some credibility-stretching contrivances, Kim’s talent buoys her tale through its rough spots and distinguishes her as a writer to watch. Agent: Nicola Barr, Bent Agency.

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  • English

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