Or, The Three Magical Children and Their Holy Dog
Starred review from July 11, 2016
In 1242 France, weary travelers at an inn trade stories about three miraculous children and their dog, Gwenforte, who has returned from the dead. The children—Jeanne, a peasant girl who has visions of the future; William, an oblate of partial African heritage with uncanny strength; and Jacob, a Jewish boy with the power to heal the sick and injured—are the subject of much rumor and debate. Are they saints, frauds, or in league with the devil? Gidwitz (the Grimm trilogy) continues to toy with narrative in a well-researched and rambunctiously entertaining story that has as much to say about the present as it does the past. Evoking the oral storytelling traditions of the time, multiple characters including a nun, troubadour, and brewer alternately describe their encounters with the children to produce the whole story. Amid mugs upon mugs of ale, the tale that comes into focus is one of religious persecution and faith, friendships that transcend difference, and a dangerously flatulent dragon—Gidwitz continues to have no problem mixing high and low. Final art not seen by PW. Ages 10–up. Author’s agent: Sarah Burnes, Gernert Company.
January 30, 2017
In 1242 France, weary travelers at an inn exchange stories of their encounters with a group of three children accompanied by their dog who are set to be brought before the king for the threat they pose. The story is framed as an inquisition, with an agent of the king serving as the main narrator and questioning the travelers to discern the true nature of the children, who are rumored to have magical abilities. The structure lends itself clearly to the audio format, with one narrator acting as the interviewer while more than a half-dozen others take up the rest of the characters sharing the tales of these adventurers. It’s more entertaining with multiple voices and it brings the conversational elements of the story to the forefront, but not always seamlessly; there are points in this production when it sounds as if the actors were all recorded separately and the dialogue pieced together later. Still, the variety of voice actors at work plays well with the story and makes for a lively listening experience. Ages 10–up. A Dutton hardcover.