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Ella Brown is unhappy. Shivering cold in her luxurious bed, she's afraid to get up and light the fire, because she's recently been scolded for doing things servants are supposed to do. New to the castle, Ella is having trouble adjusting to her unfamiliar role: Princess. In this wonderful continuation of the Cinderella story, award-winning author Margaret Haddix imagines a heroine who has gotten what she wants, not through some fairy godmother's magical intervention, but by taking control of her own destiny. The trouble is, now that her dreams are coming true, Ella has serious doubts about what "happily ever after" really means. Just Ella offers young adult listeners a very contemporary take on one of the most beloved fairy tales of all time. Narrator Alyssa Bresnahan magically brings life and depth to Ella, who is determined to act on her heart's desires-even when they take her in unexpected directions.
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    • Publisher's Weekly

      August 30, 1999
      Haddix (Running Out of Time) puts a feminist spin on the Cinderella story, beginning her tongue-in-cheek novel where the traditional story ends. Ella Brown plans to live happily ever after when Prince Charming whisks her from her evil step-family. But when she arrives at the castle, she discovers that the prince is a dull dud, needlepoint is now her most strenuous activity and her ladies in waiting are abuzz with a concocted tale involving Ella, a fairy godmother and a pumpkin (in fact her own resourcefulness got Ella to the ball). When she refuses to marry "Charm," as she calls him, she is thrown in the dungeon to be held there until the wedding day. Making matters worse, Jed, her one kindred spirit, unaware of her imprisonment, leaves to start a refugee camp for victims of the castle's war with a neighboring kingdom. But luckily Ella is not a girl who needs magic or a man to save her. Haddix weaves in elements of fairy tale, with colorful characters such as Lord Reston, Ella's portly, pompous religious teacher; Quog, the ogre-ish jailer; and, of course, the cruel-to-the-core Step Evils. But Ella's modern sensibility seems jarring against a chivalric backdrop (e.g., "Don't that beat all?" Ella says, imitating a servant). Still, her straightforward, often gleefully glib narrative breathes fresh life into the tale. Ages 12-up.

    • AudioFile Magazine
      Ella Brown should be happy, and instead she's miserable. A strong and self-sufficient young woman, she is stifled by life at the palace while awaiting her marriage to Prince Charming. This fractured take on the Cinderella story is not great literature, but Alyssa Bresnahan's robust, unvoiced reading lifts it above the ordinary. Her pacing and pitch perfectly capture the resilient Ella; the simpering ladies-in-waiting; the nasty and not very clever prince; and the smart, just, but wavering Jed to whom Ella turns for help. In the end, Bresnahan makes the listener believe in Ella and her convictions. S.G. (c) AudioFile 2000, Portland, Maine
    • Publisher's Weekly

      August 13, 2001
      PW
      wrote, "Haddix puts a feminist spin on the Cinderella story, beginning her tongue-in-cheek novel where the traditional story ends. Her straightforward, often gleefully glib narrative breathes fresh life into the tale." Ages 10-14.

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  • OverDrive Listen audiobook

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  • English

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