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With House Of Glass comes the final chapter of Pramoedya's epic quartet, set in the Dutch East Indies at the turn of the century. A novel of heroism, passion, and betrayal, it provides a spectacular conclusion to a series hailed as one of the great works of modern literature. At the start of House of Glass, Minke, writer and leader of the dissident movement, is now imprisoned—and the narrative has switched to Pangemanann, a former policeman, who has the task of spying and reporting on those who continue the struggle for independence. But the hunter is becoming the hunted. Pangemanann is a victim of his own conscience and has come to admire his adversaries. He must decide whether the law is to safeguard the rights of the people or to control the people. He fears the loss of his position, his family, and his self-respect. At last Pangemanann sees that his true opponents are not Minke and his followers, but rather the dynamism and energy of a society awakened.
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    • Publisher's Weekly

      April 29, 1996
      Police commissioner Tuan Pangemanann, narrator of this concluding volume to Pramoedya's extraordinary tetralogy set in colonial Indonesia, is a Sorbonne-educated reactionary, a consummate hypocrite, a cultivated monster, a sadist with pangs of conscience. Recognizing the rottenness of the colonial administration, he greatly admires Minke, crusading newspaper editor and nationalist fighter against Dutch imperialism, considering him a man of principle. Yet, as an obedient tool of the Netherlands Indies' ruling elite in the period from 1912 through the end of WWI, Pangemanann feels duty-bound to crush Minke and the native movement he represents, whether by arrest, torture or counterinsurgency terrorism. The first three volumes of Pramoedya's quartet (This Earth of Mankind; Child of All Nations; Footsteps)--written during the author's 14-year banishment, 1965-1979, to the prison island of Buru--were narrated by Minke, a progressive witness of world events. Here, by filtering the anti-colonialist struggle through Pangemanann's ambivalent, warped perspective, Pramoedya spikes his epic saga with slyly modernist irony, creating a work that is as subversive today as when it was written. (May) FYI: Pramoedya is currently under city arrest in Jakarta: all his books remain banned in Indonesia. Penguin will reissue the first three volumes of the Buru quartet in paperback to coincide with the publication of House of Glass.

    • Publisher's Weekly

      June 30, 1997
      This story of a brutal, conflicted colonial administrator concludes what PW called an "extraordinary" quartet of novels by a jailed Indonesian dissident.

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