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The Memory Monster

Audiobook
1 of 1 copy available
1 of 1 copy available
Written as a report to the chairman of Yad Vashem, Israel's memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims' lives.
The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination.
With the perspicuity of Kafka's The Trial and the obsessions of Delillo's White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?
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    • Publisher's Weekly

      July 27, 2020
      In this scathing, ruminative tale of a historian turned guide to concentration camps, Sharid (The Third) considers the way Israel deals with the Holocaust. The unnamed narrator leaves his family behind for months at a time to lead tours for Israeli high school students, soldiers, and dignitaries at concentration camps in Poland. Poland is shabby and depressing, but Auschwitz, he says, always impresses: “The branding does its job.” The narrator’s story is framed as a letter to his boss about an incident he was involved in during a tour, when he punched a guest, and the letter becomes a record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity. Why, he wonders, do he and the students find themselves admiring the Nazis? Why is it so easy to scapegoat the Polish—no heroes, certainly, but not the masterminds either? And why do the students wrap themselves in Israeli flags and sing the national anthem at Auschwitz? The narrator turns over these questions as family responsibilities pull him back to Israel. Sharid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.

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  • English

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