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The Singing Forest

ebook
1 of 1 copy available
1 of 1 copy available

A NYT Book Review Best Historical Fiction Book of the Year

"The Singing Forest blends thought-provoking reflections on the moral reckoning of war crimes with ... a young woman's attempts to decode her eccentric professional and personal families."—Alida Becker, New York Times

In attempting to bring a suspected war criminal to justice, a lawyer wrestles with power, accountability, and her Jewish identity.

In a quiet forest in Belarus, two boys stumble across a long-kept secret: the mass grave where Stalin's police secretly murdered thousands in the 1930s. The results of the subsequent investigation have far-reaching effects, and across the Atlantic in Toronto, Leah Jarvis, a lively, curious young lawyer, finds herself tasked with an impossible case: the deportation of elderly Stefan Drozd, who fled his crimes in Kurapaty for a new identity in Canada. Leah is convinced of Drozd's guilt, but she needs hard facts. She travels to Belarus in search of witnesses only to find herself asking increasingly complex questions. What is the relationship between chance, inheritance, and justice? Between her own history—her mother's death, her father's absence, the shadows of her Jewish heritage—and the challenges that now confront her?

Beautiful and wrenching by turns, The Singing Forest is a profound investigation of truth and memory—and the moving story of one man's past and one woman's determination to reckon with it.

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    • Kirkus

      September 1, 2021
      A war criminal is prosecuted while a lawyer considers her own identity. Leah Jarvis is a young lawyer with a difficult assignment: She's working on the deportation of Stefan Drozd, a man in his 90s accused of torturing and killing any number of people decades ago in the Soviet Union, then lying about his identity to gain entry to Canada. It's clear that many, many people suffered, but Drozd's precise role--he may have been serving in Stalin's security police or just working as a lowly clerk--has yet to be determined. Meanwhile, Leah has her own stuff going on: The three uncles who raised her seem to be deteriorating, there's a budding romance with a colleague to attend to, and then, too, Leah starts trying to track down her long-lost father. There's plenty to admire in McCormack's novel, but the plot is overstuffed. With her elegant, fluid prose, McCormack leaps lithely enough from one thread to another--it's just that not every thread is equally crucial, as becomes clear by the book's end, when they fail to wrap up satisfyingly. McCormack's strength is the series of moral quandaries running through the book like a set of steppingstones. "This is a case about wrongdoing, not a quality of character," Leah thinks. Drozd, she reminds herself, "must be guilty of something precise, knowable--something he has done, not something he is, not some innate evil." But while Leah's concerns about the case, the quality of the evidence, the ethics of her job, are intricately explored, they aren't quite enough to carry the whole novel. Drozd's childhood is also described, though it's never made clear if the descriptions are his memories or just a life that Leah has imagined for him--and there doesn't seem to be a clear reason for keeping that distinction shrouded. Frequently engaging but, as a whole, overdetermined.

      COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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