Pest Control

March 3, 1997
This debut novel, published in Britain in 1994, hinges on a delightfully buggy idea that takes full comic advantage of New York City. Bob Dillon, an unemployed pest control expert, faxes a resume in response to a carefully coded advertisement for a hired killer-"Gone private with lethal new concept!" reads Bob's exuberant pitch. Voila! He's mistaken for a top assassin. When assorted personages start dying and their demises are laid at Bob's door, the CIA gets involved. A price is put on Bob's head, luring every top-rated killer-for-hire in the world to the Big Apple, which is depicted as infinitely more dangerous than merely cold-blooded assassins. In a prime example of the book's major flaw, however, this humorous concept is set up long before it's knocked down and is then discarded far too quickly for a gruesome, bug-infested finale. Fitzhugh can't settle on a consistent attitude to his over-the-top material. Arch quotations from rock songs rub up against Bob's marital problems and the pure Hollywood fantasy of the world's top assassin, who, while tracking Bob, yearns only for a normal, middle-class family life. The uncertain pacing and tone render this comic thriller a bumpy read, but its nifty premise makes it just right for a high-concept film, which is no doubt why movie rights have been sold to Warner Brothers' Spring Creek Productions for $1.25 million.