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My Name Is Seepeetza

ebook
1 of 1 copy available
1 of 1 copy available

An honest look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it — 30th anniversary edition.

Seepeetza loves living on Joyaska Ranch with her family. But when she is six years old, she is driven to the town of Kalamak, in the interior of British Columbia. Seepeetza will spend the next several years of her life at an Indian residential school. The nuns call her Martha and cut her hair. Worst of all, she is forbidden to "talk Indian," even with her sisters and cousins.

Still, Seepeetza looks for bright spots — the cookie she receives at Halloween, the dance practices. Most of all, there are her memories of holidays back at the ranch — camping trips, horseback riding, picking berries and cleaning fish with her mother, aunt and grandmother. Always, thoughts of home make school life bearable.

Based on her own experiences at the Kamloops Indian Residential School, this powerful novel by Nlaka'pamux author Shirley Sterling is a moving account of one of the most blatant expressions of racism in the history of Canada. 

Includes a new afterword by acclaimed Cree author Tomson Highway of the Barren Lands First Nation in northern Manitoba.


Key Text Features

afterword

dialogue

journal entries

maps


Correlates to the Common Core State Standards in English Language Arts:

CCSS.ELA-LITERACY.RL.4.2
Determine a theme of a story, drama, or poem from details in the text; summarize the text.

CCSS.ELA-LITERACY.RL.5.1
Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text.

CCSS.ELA-LITERACY.RL.6.6
Explain how an author develops the point of view of the narrator or speaker in a text.

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  • Reviews

    • Publisher's Weekly

      March 3, 1997
      This rather desolate autobiographical novel chronicles a girl's harsh upbringing in an Indian residential school in 1950s British Columbia. Sixth-grader Seepeetza, whose name has been changed to Martha Stone, was only six when she was ripped away from her cozy family farm and plunged into a spartan existence. She and her classmates are beaten with a strap by Sister Superior and threatened not to get out of bed lest the devils grab them and "drag us into the fires of hell." Related as entries in Seepeetza's private journal, this book has a devastatingly simple style and conveys tiny details only a person who had been through such a school could know: "Girls hide bread or raw carrots in their bloomer legs under the elastic. They take it out and eat it late at night when the lights are out. That's when we get really hungry." The story breaks out of rigid notions of right and wrong-Seepeetza is fond of her father although he drinks; her parents may have sent her away, but they are loving; the nuns are cruel but sometimes inexplicably kind; Seepeetza finds moments of happiness in her dancing amid the general oppression. Though the naive tone of the journal slightly distances the reader, the smoldering intensity and unvarnished details still assume a mature sensibility on the reader's part. This title was shortlisted for the Canadian Governor General's Literary Award. Ages 10-12.

    • Booklist

      March 1, 1997
      Gr. 5^-10. Her name is Seepeetza, but at the Indian residential school in British Columbia, she is called Martha. She hates her white name, but she is beaten if she talks "Indian." Her long hair is cut off. At the same time, the other students pick on her because she has green eyes and looks white. When she wets her bed, the nuns make her wear the wet sheet over her head. She gets in trouble for daydreaming about the family ranch on the reservation that she was forced to leave to come to school. First published in 1992 in Canada, where it won the Sheila A. Egoff Children's Book Prize, this autobiographical novel is written in the form of Seepeetza's diary in her sixth-grade year in the 1950s. The drawback of the journal format is that the vignettes are sometimes static, repetitive, and disjointed. The great advantage is the immediacy of the child's voice and viewpoint. We feel her bewilderment and fear, her helplessness, and, above all, her longing for home. Few books dramatize this experience for young readers. Without preaching or rhetoric, the cruelty is laid bare. ((Reviewed March 1, 1997))(Reprinted with permission of Booklist, copyright 1997, American Library Association.)

    • Publisher's Weekly

      June 8, 1998
      Written in what PW called a "devastatingly simple" style, this "rather desolate" autobiographical novel chronicles a girl's harsh experiences at an Indian residential school in 1950s British Columbia. Ages 10-12.

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Languages

  • English

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